SELECTED GROUP EXHIBITIONS
* indicates catalog
2024
Hovering on the Edge, Timothy Taylor gallery, London, U.K. Gallery Website
Pictorial Resonance, Galerie Thomas Schulte, Berlin, Germany Gallery Website
From Gerhard Richter to Mary Heilmann, Abstract Art from Private Collections and the Museum’s Holding, Kunstmuseum Winterthur, Switzerland (curated by Konrad Bitterli) Museum Website
2022
Singing in Unison, Industry City, New York (curated by Phong Bui)
Earth: A Retrospective. El Ultimo Grito and Per Amor a l'Art Collection, Bombas Gens Centre D’Art, Valencia, Spain (curator El Ultimo Grito)
Summer of Possibilities, Galerie Bode, Berlin, Germany (curator Altercone Gumby)
Singing in Unison, Scully Tomasko Foundation and Ricco/Maresca, New York (curated by Phong Bui)
The Fiction of Property I, Kienzle Art Foundation, Berlin Germany (curated by Berthold Mathes)
2021
Peinture :obsolescence déprogrammée, MUSÉE D’ART MODERNE ET CONTEMPORAIN, Les Sables d’Olonne, France (curated by Camille Debrabant)
2019
Frozen Gesture, Kunstmuseum Winterthur, CH. Curated by Konrad Bitterli
Drawings, Kunstmuseum Winterthur, CH
2018
David Reed, Häusler Contemporary Zürich, CH
2017
Trouvailles | David Reed and Richard Allen Morris, Häusler Contemporary Zürich, CH
2016
Painting 2.0: Malerei im Informationszeitalter, Museum Brandhorst, München, DE / Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Wien, AT
Jackson Pollock‘s Mural: Energy Made Visible, Deutsche Bank KunstHalle, Berlin, DE / Museo Picasso, Málaga, ES
Richard Allen Morris | David Reed From the Studio, Häusler Contemporary München, DE
DRAWINGS, Galerie Anke Schmidt, Cologne, Germany
How to be Unique, Kienzle Art Foundation, Berlin, Germany
2015
PAINTING 2.0: EXPRESSION IN THE INFORMATION AGE, Brandhorst Museum, Munich, Germany (Curators: Achim Hochdörfer, David Joselit with Manuela Ammer, assistant curator: Tonio Kröner)
Jackson Pollock’s Mural, Energy Made Visible, Kunsthalle Deutsche Bank, Berlin, Germany
Schön, euch zu sehen. 160 Werke aus der Sammlung (Nice to see you. 160 works from the collection), Kunstmuseum Liechtenstein 12 Painters: The Studio School, 1974/2014, Steven Kasher Gallery, New York
L'OISEAU PRÉSENTE-"BE ABSTRACT", Bal, Germany (organized by Gunna Schmidt, Nicola Stäglich, Anke Völk)
SUMMER GROUP EXHIBITION, Quint Gallery, La Jolla, CA.
À QUOI TIENT LA BEAUTÉ DES ÉTREINTES, FRAC Auvergne, France
2014
(detail) Transition Gallery, London
Teach Us To Outgrow our Madness, Galerie Thomas Schulte, Berlin, Germany
Thinking Through Painting, The Royal Academy of Fine Arts, Stockholm, Sweden (curated by Jonatan Habib Engqvist)
Szalon, Logan Center Gallery, University of Chicago
Elementary Painting, Kunstmuseum St. Gallen, Lichtenstein (curated by Konrad Bitterli)
Pictures of Everything, Harris Gallery, University of La Verne, La Verne, California (curated by Dion Johnson)
Works on Paper, Galerie Schmidt Maczollek, Cologne, Germany
OUTSIDE THE LINES: RITES OF SPRING,Contemporary Arts Museum Houston, Texas (curated by Dean Daderko)
2013
The Indiscipline of Painting, Mead Gallery, Coventry, UK
ENTRÉE LIBRE MAIS NON OBLIGATOIRE, Villa Arson, Nice, France (organized by Noël Dolla)
Temperamente auf Papier II, Häusler Contemporary Zurich, Switzerland
Misdirect Movies, The Royal Standard, Liverpool, U.K travels to Standpoint Gallery, London, U.K., to Greyfriars, Lincoln U.K. and Meter Room, Coventry, U.K. (curated by Andrew Bracey and John Rimmer)
2012
Movement, MAGAZINE 4, Bregenzer Kunstverein, Austria (curated by Jörg van den Berg and Wolfgang Fetz)
Conceptual Abstraction, Hunter College Times Square Gallery, New York
Conspiracies of Illusion: Projections of Time & Space, McMaster Museum of Art, McMaster University, Hamilton Ontario, Canada (curated by Mark A. Cheetham, Andy Patton, and Christine Sprengler)
Summer Series, Quint Contemporary Art, La Jolla, California
Decade: Contemporary Collecting, Albright-Knox Art Gallery, Buffalo, New York
THE SLIDE SHOW, Mekanism Skateboards, FRAC Auvergne, France
A. Abstra_Action, Galerija Contra, Koper, Slovenia
the gallery collection, Galerie Bob van Orsouw, Zurich, Switzerland (curated by Beda Achermann)
The Happy Fainting of Painting, Zwinger Gallery, Berlin, Germany (organized by Hans Jürgen Hafner and Gunter Reski)
New York Painting - Elizabeth Cooper, Fabian Marcaccio, David Reed, Alejandra Seeber, Lawrence Stafford, Häusler Contemporary, Munich, Germany
2011
Itsy- bitsy spider, Galerie Schmidt Maczollek, Cologne, Germany
The Indiscipline of Painting, TATE St. Ives, Cornwell, U.K (selected by Daniel Sturgis)
75th Anniversary-American Abstract Artists, OK Harris Works of Art, New York
75th Anniversary-American Abstract Artists International, Galerie oqbo and Deutscher Künstlerbund Projektraum, Berlin, Germany (initiators Don Voisine and Michael Bause)
William Eggleston and David Reed, Peder Lund, Oslo, Norway
* 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, North Carolina
2010
Surprise no 2 - W. Bullinger, A. Eloyan, D. Reed, Gallerie Bob von Orsouw, Zurich, Switzerland
INSIDE OUT, Susan Inglett Gallery, New York (curated by Eli Ping)
Color and Content, Kunstmuseum Bonn, Bonn, Germany
Malerei: Prozess und Expansion von den 1950er Jahren bis heute, Museum Moderner Kunst, Vienna, Austria (curator Rainier Fuchs)
Until Now: Collecting the New (1960-2010), Minneapolis Institute of Art, Minneapolis, Minnesota
Mapping the Region, Museum Folkwang, Essen, Germany
Babel, Fonds Régional d'Art Contemporain Centre, Auvergne, France
Highlights of the Schaufler Collection, Schauwerk Sindelfingen, Sindelfingen, Germany
Move On Up, Galerie Schmidt Maczollek, Cologne, Germany
Palm Paintings, Buchmann Galerie, Berlin, Germany
2009
Sammlung Reloaded, Kunstmuseum Bonn, Bonn, Germany (curated by Stephan Berg and Christoph Schreier)
Mix: Nine San Diego Architects and Designers, Museum of Contemporary Art San Diego, San Diego, California
Rewind, Fast Forward, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
* La Rose Pourpre du Caire - Making of et Bande Annonce; Art Contemporain et Cinéma, FRAC Auvergne, Musée d’Art et d’Archéologie, Aurillac, France
2008
* Las Vegas Collects Contemporary, Las Vegas Art Museum, Las Vegas, Nevada
Sehnsucht (Aspiration), Light & Sie, Dallas, Texas (curated by Georges Armaos)
* The 183rd Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York
Silent Films & Bedroom Painting, The Lab, Lakewood, Colorado (curated by Adam Lerner)
David Reed and Klaus Merkel, Galerie Thomas Flor, Düsseldorf, Germany IMAGES
David Reed and Rochelle Feinstein, The Suburban, Oak Park, Illinois IMAGES
* abstrakt/abstract, Museum Moderner Kunst Kaernten, Austria (curated by Andrea Madesta)
* There is Desire Left (Knock, Knock), Mondstudio Collection, Kunstmuseum Bern, Switzerland; traveled to Museum Wiesbaden, Wiesbaden, Germany (curated by Claudine Metzger)
2007
Bilingual: Art at the intersection of Painting and Video, Glass Curtain Gallery, Chicago, Illinois (curated by Tracy Marie Taylor)
* Lust for Life: The Ricke Collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein (curated by Christiane Meyer-Stoll)
* Beyond A Gift Of Time, Roswell Museum and Art Center, Roswell, New Mexico
Das Kapital: Blue Chips and Masterpieces, Museum für Moderne Kunst, Frankfurt am Main, Germany
Brave Lonesome Cowboy: Western Topoi in Contemporary Art or: For John Wayne’s 100th Birthday, Galerien der Stadt Esslingen, Villa Merkel, Germany and Kunstmuseum St. Gallen, Switzerland (curated by Konrad Bitterli and Andreas Bauer)
Rose Art. Works from the Permanent Collection, The Rose Art Museum of Brandeis University, Waltham, Massachusetts
Not for Sale, P.S.1 Contemporary Art Center, Long Island City, New York
2006
House of Paintings Shadow Space, Haus Konstruktiv, Zurich, Switzerland (curated by Günter Umberg)
Transformation — From our Collection, Kunstmuseum Liechtenstein, Vaduz
Clear Cuts — Sammlung Wolkenlos — Die Privatsammlung von Michael Stankiewicz, Schloss Raabs, Raabs and der Thaya, Austria
Une simple question de temps. Conversation entre les collections du FRAC Auvergne et du Musée Crozatier, Musée Crozatier, Le Puy—en Velay, France
New Now Next: The Contemporary Blanton, Jack S. Blanton Museum of Art, Austin, Texas
2005
Very Early Pictures. An exhibtion of drawings (and works in other media) made by contemporary artists when they were children, Arcadia University Art Gallery, Glenside, Pennsylvania (curated by Richard Torchia)
“Post” and After: Contemporary Art from the Brandeis University Collection, The Rose Art Museum of Brandeis University, Waltham, Massachusetts (curated by Katy Siegel)
Vertiges: Printemps de Septembre a Toulouse, Les Abattoirs, France (curated by Jean–Marc Bustamante)
Collection Histories/Collective Memories: California Modern, Orange County Museum of Art, Newport Beach, California
Extreme Abstraction, Albright Knox Gallery, Buffalo, New York (curated by Louis Grachos and Claire Schneider)
POPulence, Blaffer Gallery, Houston, Texas (curated by David Pagel)
What’s New, Pussycat? Neuerwerbungen und Sammlung Stroeher, Museum fuer Moderne Kunst Frankfurt am Main, Germany
The Continous Mark: 40 Years of the New York Studio School, New York Studio School, New York (curated by Jennifer Sachs Samet)
Sweet Temptations. Dialoge mit der Sammlunf Rolf Ricke, Kunstmuseum St. Gallen, Switzerland
Willem de Kooning, BA–lCA Kunstforum, Vienna, Austria (curated by Florian Steininger)
2004
Me Myself I. Konstruktionen von Raum und Identitaet in der Kunst der Gegenwart, Kunstmuseum St. Gallen, Switzerland (curated by Konrad Bitterli)
Gesture Suggestion, Vous Etes Ici, Amsterdam, the Netherlands
Painting Now: Selections from the Permanent Collection, Museum of Contemporary Art, San Diego, California
Le Syndrome de Babylone, Centre d'Art Contemporain de la Villa du Parc, Geneve, Switzerland
* still mapping the moon. Perspektiven zeitgenoessischer Malerei / Perspectives on Contemporary Painting, Kunstmuseum Bonn, Germany
David Reed, Malerei, Neues Museum, Nuernberg, Germany
* Surface Tension, Chelsea Art Museum, New York (curated by Manon Slome)
The Void and the Plentitude, Museum Haus Esters, Krefeld, Germany (curated by Martin Hentschel)
In The Spotlight, Rose Art Museum, Brandeis University, Waltham, Massachusetts
* 100 Artists See God, Independent Curators International (curated by John Baldesarri and Meg Cranston), traveling group show
2003
Greetings from New York. A Painting Show, Galerie Ropac, Salzburg, Austria
ON. Inaugural Group Show, Renos Xippas Gallery, Athens, Greece
Jessica Stockholde: “Table Top Sculpture”, Gorney Bravin + Lee, New York
Perpetuum Mobile. 40 Jahre Galerie Rolf Ricke, Cologne, Germany (curated by Guenter Umberg)
Intricacy, Institute of Contemporary Art Philadelphia, Pennsylvania; traveled to Yale University, New Haven, Connecticut (curated by Greg Lynn)
New Abstract Painting — Painting Abstract Now: Abstraktion in der neuen Malerei, Museum Morsbroich Leverkusen, Germany
* Painting Pictures, Malerei und Medien im digitalen Zeitalter. Kunstmuseum Wolfsburg, Germany (curated by Gijs van Tuyl and Annelie Luetgens)
* Trespassing: Houses X Artists, Bellevue Art Museum, Washington; traveled to MAK Center for Art and Architecture, Los Angeles, California; traveled to the University of South Florida Contemporary Art Museum, Tampa; traveled to Blaffer Gallery at the University of Houston, Texas; traveled to the Palm Springs Desert Museum, California (curated by Linda Taalman and Alan Koch)
Schokolade, was denn sonst: Sammlung Rolf Ricke, Kunstraum Innsbruck, Innsbruck, Austria
* We Love Painting: The Contemporary American Art from Misumi Collection, Museum of Contemporary Art, Tokyo, Japan
New Abstract Painting — Painting Abstract Now, Abstraktion in der neuen Malerei, Museum Morsbroich, Leverkusen, Germany (curated by Ute Riese)
* Postimpact, Portalakis Collection, Athens, Greece
2002
Das Museum, die Sammlung, der Direktor und seine Liebschaften, Museum moderner Kunst, Frankfurt am Main, Germany (curated by Udo Kittelmann)
* Einfach Kunst: Sammlung Rolf Ricke, Neues Museum, Nuernberg, Germany, images
* Another World: Zwoelf Bettgeschichten / Twelve Bedroom Stories, Kunstmuseum Luzern, Switzerland
Raum fuer Malerei / The Painting Room, Kaiser Wilhelm Museum, Krefeld, Germany
* Mood River, Wexner Center for the Arts, The Ohio State University, Columbus (curated by Jeffrey Kipnis)
Time/Frame, Jack S. Blanton Museum of Art, The University of Texas at Austin, Texas (curated by Annette DiMeo Carlozzi)
Transcendent & Unrepentant, Rosenwald Wolf Gallery, the University of the Arts, Philadelphia, Pennsylvania
2001
* The Magic Hour: Die Konvergenz von Kunst und Las Vegas, Neue Galerie Im Kuenstlerhaus, Graz, Austria (curated by Alex Farquharson)
Lateral Thinking: Art of the 1990's, Museum of Contemporary Art, San Diego, California
Cinema Studies, Lucas Schoormans, New York (curated by Aruna d'Souza)
* Vertigo, Ursula Bickle Stiftung, Kraichtal, Germany; traveled to Vorarlberger Kunstverein, Bregenz, Austria (curated by Gerald Matt)
* Hybrids: International Contemporary Painting, Tate Liverpool, Great Britain (curated by Simon Wallis)
* Ornament and Abstraction, Fondation Beyeler, Riehen/Basel, Switzerland (curated by Markus Bruederlin)
* Pleasures of Sight and States of Being, Museum of Fine Arts, Florida State University, Tallahassee, Florida (curated by Roland Nasgaard)
2000
* how you look at it: Photographs of the 20th Century, Sprengel Museum Hannover, Germany (curated by Thomas Weski and Heinz Liesbrock)
* Body of Painting, Museum Ludwig, Koeln, Germany (curated by Guenter Umberg)
Eva Knutz & David Reed, Art Resources transfer, Inc., New York
Passe Compose / Futur anterieur, Musee d’Art Roger–Quilliot, Montferrand, France
* Das Gedaechtnis der Malerei, Aargauer Kunsthaus, Aarau, Switzerland (curated by Sibylle Omlin and Beat Wimmer)
Media / Metaphor: The 46th Biennial Exhibition, Corcoran Museum of Art, Washington, District of Columbia (curated by Philip Brookman)
Six Abstract Artists at the Milenium, Dorsky Gallery, New York (curated by Robert Saltonstall Mattison)
1999
* special offer, Kassler Kunst Verein, Kassel, Germany. (curated by Rolf Ricke)
* Postmark: An Abstract Effect, Site Santa Fe, Santa Fe (curated by bruce W. Ferguson)
Mixed Bag: Summer Group Show, Schmidt Contemporary Art, St. Louis, Missouri
* abstrakt, Galerie Thaddaeus Ropac, Salzburg, Austria
* Moving Images, Galerie fuer Zeitgenoessische Kunst Leipzig. Leipzig. (curated by Dirk Luckow and Jan Winkelmann)
* Aux derniere nouvelles..., FRAC D’Auvergne. Clermont Ferrand. France
* Super–abstraction (curated by Andrea Busto)
* Looking at Paintings / Looking for Painters: Gesture and Contemporary Painting, University of Michigan (curated by Brian Stechschulte and Mike Underwood)
Notorious: Alfred Hitchcock and Contemporary Art, Museum of Modern Art Oxford, Oxford, traveled to Sydney, Tokyo, Odense (curated by Kerry Brougher, Michael Tarantino and Astrid Bowron)
1998
The Erotic Sublime (Slave to the Rhythm), Galerie Thaddaeus Ropac, Salzburg, Austria (curated by Nikolaus Ruzicska)
* Geistes Gegenwart, Dioezesanmuseum, Freising, and Heilig–Geist–Kirche, Landshut, Germany (curated by Petra Giloy–Hirtz and Peter B. Steiner)
Pop Abstraction, Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. (curated by Sid Sachs)
I’m Still In Love With You: Visual Artists and Writers Respond to the 1972 Album by Al Green, Women's 20th Century Club, Eagle Rock, California. (curated by Steven Hull)
Guenter Umberg, Museum Dhondt–Dhaenens, Deurle, Belgium
Utz: A Collected Exhibition, Lennon, Weinberg, Inc., New York (curated by Stephanie Theodore)
Sick of Photography: A Painting Show, College of Creative Studies Gallery, University of California, Santa Barbara, California (curated by Michael Darling)
Die Neue Sammlung (1), Palais Liechtenstein, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
* Interior Landscapes: An Exhibition from the Collection of Clifford Diver, Delaware Art Museum, Wilmington, Delaware
From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York (curated by Ruth Kaufmann)
1997
* Theories of the Decorative: Abstraction and Ornament in Contemporary Painting, Inverleith House, Royal Botanic Garden, Edinburg, Scotland; traveled to Edwin A. Ulrich Museum, Wichita State University, Wichita, Kansas (curated by Paul Nesbitt and David Moos)
Primarily Paint, Museum of Contemporary Art, San Diego, La Jolla, California
Pintura, Galeria Joan Prats, Barcelona, Spain; traveled to Galeria Marta Cervera, Madrid, Spain
* After the Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, New York (curated by Lilly Wei)
Intimate Universe (Revisited): Seventy American Painters, Robert Steele Gallery, New York (curated by Michael Walls)
Schilderijen: Reinoud Van Vaught, Fabian Marcaccio, David Reed, Jonathan Lasker, Gallerie Tanya Rumpff, Haarlem, the Netherlands
Wetterleuchten. Galerie Evelyne Canus, La Colle–sur–Loup, France (curated by Guenter Umberg)
* Critiques Of Pure Abstraction, Independent Curators, Inc., New York (curated by Mark Rosenthal) (traveled)
Stepping Up, Andrew Mummery, London, England
Relations Between Contemporary Architecture and Painting: Greg Lynn, Fabian Marcaccio, David Reed, Jesse Reiser/Nanako Umemoto, Kuenstlerhaus Palais Thurn und Taxis, Bregenz, Austria
Some Lust, Patricia Faure Gallery, Santa Monica, California
Installations/Projects, Institute for Art and Urban Resources/P.S.1, Long Island City, New York
1996
16 Artists, Patricia Faure Gallery, Santa Monica, California
Extended Minimal, Max Protech Gallery, New York
* Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; traveled to Museu d'Art Contemporani de Barcelona, Spain; traveled to Kunsthalle Bielefeld, Germany (curated by Enrique Juncosa)
Abstract Practice, Galerie Thaddaeus Ropac, Salzburg, Austria.
Form als Ziel muendelt immer in Formalismus, Galerie Rolf Ricke, Cologne, Germany
* Embededded Metaphor, Independent Curators, Inc., New York (curated by Nina Felshin) (traveled)
* Reconditioned Abstraction, Forum for Contemporary Art, St. Louis, Missouri (curated by Martin Ball)
Lydia Dona and New York Abstraction, Macdonald Stewart Art Centre, Guelph, Ontario, Canada
1995
* Pittura/Immedia: Malerei in der 90er Jahren / Painting In the 90's, Neue Galerie am Landesmuseum Joanneum, Graz, Austria (curated by Peter Weibel)
* Das Abenteuer der Malerei / The Adventure of Painting, Wuerttembergischer Kunstverein, Stuttgart, Germany and Kunstverein fuer die Rheinlande und Westfalen, Düsseldorf, Germany (curated by Martin Hentschel and Raimund Stecker)
* Transatlantica, the America-Europa Non Representativa, Museo de Alejandro Otero, Caracas, Venezuela
* Abstraction From Two Coasts, Lawing Gallery, Houston, Texas
* Architecture of the Mind, Content in Contemporary Abstract Painting, Galerie Barbara Farber, Amsterdam, the Netherlands (curated by David Moos)
* Mesotica: The America non-representativa, Museo de Arte y Diseno Contemporaneo, San Jose, Costa Rica
All About Edges: An Exhibition of Contemporary Abstract Painting, Main Gallery, Fine Arts Center Galleries, University of Rhode Island, Kingston (curated by Judith Tolnick)
* Repicturing Abstraction: The Politics of Space, The Abducted Image, Basic Nature, From Impulse to Image, Virginia Museum of Fine Arts, Richmond, Virginia
Temporarily Possessed: The Semi–Permanent Collection, The New Museum of Contemporary Art, New York
* Going for Baroque: 18 Contemporary Artists Fascinated with the Baroque and Rococco, The Contemporary and The Walters Collection, Baltimore, Maryland. (curated by Lisa Corrin)
“Made In The U.S.A”: Original Paintings on Paper, Bob van Orsouw Gallery, Zurich, Switzerland
* Re–Fab: Painting Abstracted, Fabricated, and Revised, University of South Florida Contemporary Art Museum, Tampa, Florida; traveled to Wolfson Galleries, Miami–Dade Community College, Miami, Florida; traveled to the Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont (curated by Margaret Miller)
Videothek, Galerie im Rathaus, Munich, Germay (curated by Christine Goegger)
1994
New Paintings, Max Protetch Gallery, New York
Drama, Max Protetch Gallery, New York
* Chance, Choice, and Irony, Todd Gallery, London, England; traveled to John Hansard Gallery, University Southhampton, Southhampton, England (curated by Colin Crumplin)
Recent Painting, Asher/Faure Gallery, Los Angeles
Conditional Painting, Galerie naechst St. Stephan, Vienna, Austria
* Don’t Look Now, Thread Waxing Space, New York (curated by Joshua Decter)
1993
* Fractured Seduction: New Conceptual Abstract Painting, Eight Artist from New York, Artifact Gallery, Tel Aviv, Israel (curated by Maia Damianovic)
* Italia–America: L’astrazione ridefinita, Galleria Nazionale d'Arte Moderna, Republica de San Marino (curated by Demetrio Paparoni)
Supervision, Raeume fuer neue Kunst, Wuppertal, Germany (curated by Guenter Umberg and Rolf Hengesbach)
* Hotel Carlton Palace, Chambre 763, Paris, France (curated by Hans–Ulrich Obrist)
Bodies of Work, Atelier Philip Pocock, Cologne, Germany (curated by Philip Pocock)
* New York Painters: Donald Baechler, Ross Bleckner, Peter Halley, Jonathan Lasker, Richard Prince, David Reed, Peter Schuyff, Philip Taaffe, Christopher Wool, Sammlung Goetz, Munich, Germany
Eight Painters: Abstractions in the Nineties, Carl Solway Gallery, Cincinnati, Ohio
Byron Kim, David Lasry, David Reed: Paintings, Quint Gallery, La Jolla, California
Panorama, Galerie Martina Detterer, Frankfurt am Main, Germany; traveled to Galerie Jousse–Seguin, Paris, France
New American Abstraction: The Conscious Gesture, Marion Locks Gallery, Philadelphia, Pennsylvania
New Moderns, Baumgartner Galleries, Washington, District of Columbia
* Der zerbrochene Spiegel: Positionen zur Malerei / The Broken Mirror: Approaches to Painting, Museumsquatier Messeplatz und Kunsthalle Wien, Vienna, Austria; traveled to Deichtorhallen, Hamburg, Germany (curated by Kasper Koeing and Hans–Ulrich Obrist)
Silent Echoes, Tennisport Arts, Long Island City, New York (curated by Christian Haub)
* Prospect 93: Eine Internationale Ausstellung aktueller Kunst / Prospect 93: An International Exhibition of Contemporary Art, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main, Germany (curated by Peter Weiermair)
Ploetzlich ist eine Zeit hereingebrochen, in der alles moeglich sein sollte (Teil 2), Kunstverein Ludwigsburg, Germany (curated by Udo Kittelmann)
* “I am the Enunciator&drquo;, Thread Waxing Space, New York (curated by Christian Leigh)
1992
* Bedroom Pictures, Asher/Faure Gallery, Los Angeles, California (curated by Terry R. Myers)
* Thomas Noskowski / David Reed, Baumgartner Galleries, Washington, District of Columbia
Slow Art: Painting in New York Now, Institute for Art and Urban Resources/P.S.1, Long Island City, New York (curated by Alanna Heiss)
* Abstrakte Malerie zwischen Analyse und Synthese / Abstract Painting between Analysis and Synthesis, Galerie naechst St. Stephan, Vienna, Austria
* Kinder! Macht neues!, Galerie Rolf Ricke, Cologne, Germany
1991
* La metafisica della Luce / The Metaphysics of Light, John Good Gallery, New York (curated by Demetrio Paparoni)
* Conceptual Abstraction, Sidney Janis Gallery, New York
The Lick of the Eye, Shoshana Wayne Gallery, Santa Monica, California. (curated by David Pagel)
Hybrid Abstraction, Bennington College Art Gallery, Bennington, Vermont (curated by Joshua Decter)
* Strategies for the Next Painting, Wolff Gallery, New York; traveled to Feigen Incorporated, Chicago, Illinois (curated by Saul Ostrow)
Contemporary Abstract Painting: Resnick, Reed, Laufer, Moore, Muscarelle Museum of Art, College of William and Mary, Williamsburg, Virginia (curated by Molly Sullivan)
1990
* Token Gestures: A Painting Show, Scott Hanson Gallery, New York (curated by Collins & Milazzo)
1989
* 1989 Biennial Exhibition, Whitney Museum of American Art, New York
Non-Representation: The Show of the Essay, Annie Plumb Gallery, New York (curated by Jeremy Gilbert–Rolfe)
* Diagrams and Surrogates, Shea and Becker Gallery, New York (curated by Saul Ostrow)
* Aus meiner Sicht: Eine Ausstellung von Rolf Ricke / Jubilee Exhibition of the Galerie Rolf Ricke, Koelnischer Kunstverein, Cologne, Germany
Collapsing Light, Laurie Rubin Gallery, New York (curated by Jonathan Seliger)
Postmodern Painters, John Good Gallery, New York
* Artists of the 80’s: Selected Works from the Maslow Collection, Sordoni Art Gallery, Wilkes College, Wilkes–Barre, Pennsylvania
1988
A New Generation, The 80’s: American Painters and Sculptors, The Metropolitan Museum of Art, New York
Louise Fishman, Joan Mitchell, David Reed, Barbara Toll Fine Arts Inc., New York (curated by Marjorie Welish)
* Collaborations in Monotype, University Art Museum, University of California at Santa Barbara, Santa Barbara, California (curated by Phyllis Plous) (traveled)
* Formal, Dart Gallery, Chicago, Illinois (curated by Lance Kinz)
Seven American Abstract Artists, Ruggerio Henis Gallery, New York (curated by David Carrier)
1987
Monsters: The Phenomena of Dispassion, Barbara Toll Fine Arts, Inc., New York (curated by Dennis Kardon and Maria Reidelbach)
Interstices, Laurie Rubin Gallery, New York (curated by Jonathan Seliger)
Meaning, Four Walls, Hoboken, New Jersey (curated by David Humphrey)
* New Locations, Wolff Gallery, New York
Romantic Science, One Penn Plaza, New York (curated by Stephen Westfall)
The Four Corners of Abstract Painting (From Sincerity to Sarcasm, from Formalism to Expressionsim), White Columns, New York (curated by Bill Arning)
Print / Film, Bess Cutler Gallery, New York (curated by Victoria Brown and Christian Haub)
Abstract Painting, Asher/Faure Gallery, Los Angeles, California
Generations Of Geometry: Abstract Panting in America Since 1930, Whitney Museum of American Art at Equitable Center, New York (curated by Cheryl Epstein, M. Christine Hunnisett and Kimmo Sarje)
* 40th Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, District of Columbia (curated by Ned Rifkin)
1986
* Abstraction / Abstraction, Carnegie Mellon University Art Gallery, Pittsburgh, Pennsylvania; traveled to Klein Gallery, Chicago, Illiois (curated by Elaine A King)
* Geometry Now, Craig Cornelius Gallery, New York (curated by Ruth Kaufmann)
1985
Smart Art: New Work from New York, Carpenter Center for Visual Arts, Harvard University, Cambridge, Massachusetts. (curated by Joseph Masheck)
The Non–Objective World–1985: A Selection of Abstract Painting and Sculpture, Kamikaze, New York (curated by Stephen Westfall)
An Invitational, Condeso/Lawler, New York (curated by Tiffany Bell)
Abstract / Issues, Sherry French Gallery, Tibor De Nagy and Oscarsson Hood, New York (curated by Steven Henry Madoff)
The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
1984
24 x 24 x 24: An Invitational Exhibition, Ruth Siegel, New York
David Reed / Jackie Ferrara, Susan Montezinos Gallery, Philadelphia, Pennsylvania
Invitational Painting Exhibition: Part 1, Twelfe Abstract Painters, Siegel Contemporary Art, New York (curated by Michael Walls)
Abstract Painting, Susan Montezinos Gallery, Philadelphia, Pennsylvania (curated by Per Jensen)
Current 6: New Abstractions, Milwaukee Art Museum, Milwaukee, Wisconsin
* Small Works: New Abstract Painting, Williams Center for the Arts, Lafayette College, Easton, Pennsylvania and Center for the Arts, Muhlenberg College, Allentown, Pennsylvania (curated by Tom Hudspeth and Ron Janowich)
1983
* Language, Drama, Source, and Vision, The New Museum of Contemporary Art, New York (curated by Lynn Gumpert, Ned Rifkin and Marcia Tucker)
* Contemporary Abstract Painting, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania (curated by Tom Hudspeth)
Nocturne, Siegel Contemporary Art, New York
Three Painters: Sean Scully, David Reed, Ted Stamm, Zenith Gallery, Pittsburgh, Pennsylvania
1982
An Exhibition of Abstract Painting, Art Galaxy, New York (curated by Craig Fisher)
Pair Group: Current and Emerging Styles in Abstract Painting, Jersey City Museum, New Jersey (curated by Bill Zimmer)
Abstract Painting, Maryland Institute College of Art, Baltimore, Maryland
1981
Arabia Felix, Art Galaxy, New York (curated by Bill Zimmer)
Bertha Urdang Gallery, New York (curated by Lawrence Luhring)
1980
Recent Acquisitions, La Jolla Museum of Contemporary Art, La Jolla, California
* Investigations: Probe, Structure, Analysis: Agnes Denes, Lauren Ewing, Vernon Fisher, Stephen Prina, David Reed, The New Museum of Contemporary Art, New York
1979
* Ateliers Aujourd’hui: Oeuvres Contemporanies des Collections Nationales / Accrochage II, Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
Fourteen Painters, Herbert Lehman College, Bronx, New York
1978
Two Decades of Abstraction, University Galleries, University of South Florida, Tampa, Florida
1977
Recent Acquisitions, Centre Nationale d’Art et de Culture Georges Pompidou, Paris, France
1976
Max Protetch Gallery, New York
Students’ Choice, Yale University School of Art, New Haven, Connecticut
1975
* Abstraction: Alive and Well, State University College, Potsdam, New York
* Fourth Annual Contemporary Reflections 1974–75, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
* 1975 Biennial Exhibition, Whitney Museum of American Art, New York
1974
Marylin Lenkowsky, David Reed, Herbert Schiffrin, Susan Caldwell Gallery, New York
John Elderfield, Max Gimblett, David Reed, Cuningham–Ward Gallery, New York
Seven New York Artists, Nina Nielsen Gallery, Boston, Massachusetts
1973
Lo Guidice Gallery, New York
1972
* Six Painters in the '70s: Abstract Painting in New York, Ackland Art Center, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina (curated by John Minor Wisdom)
1970
A Clean Well–Lighted Place, Austin, Texas
A Gift of Time, Santa Fe Museum of Fine Arts, Santa Fe, New Mexico